| Issue | Title | |
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Santera Sadith Paz-Barahona describes Yemaya | Abstract |
| Sadith Paz-Barahona | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Santera Sadith Paz-Barahona on God's Existence | Abstract |
| Sadith Paz-Barahona | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Schizoid | Abstract |
| Timothy Michael Rolls | ||
| No 11 (2015): Negritude Reloaded | Senghor and The Enlightenment | Abstract |
| Yohann C. Ripert | ||
| No 11 (2015): Negritude Reloaded | Senghor, Or The Holy Grail of Otherness | Abstract |
| Messay Kebede | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Singer Margie Perez describes Ogun | Abstract |
| Margie Perez | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Singer Margie Perez on her Grandaunt, a Santera | Abstract |
| Margie Perez | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Solitude | Abstract |
| Timothy Michael Rolls | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Elegua | Abstract |
| Michael Skinkus | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Obatala | Abstract |
| Margie Perez | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Ochosi | Abstract |
| Michael Skinkus | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Ogun | Abstract |
| Margie Perez | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Ogun | Abstract |
| Michael Skinkus | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Yemaya | Abstract |
| Margie Perez | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Song for Yemaya in First Lead | Abstract |
| Margie Perez | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Songs for Elegua in Series | Abstract |
| Michael Skinkus | ||
| No 4 (2012): Kwame Nkrumah and Democracy | Sports: Nkrumah's Approach to African Unity | Abstract |
| Martin Odei Ajei | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Streams | Abstract |
| Timothy Michael Rolls | ||
| No 6 (2012) | The African Beatitudes | Abstract |
| Jide Uwechia | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | The City in the Sea | Abstract |
| Timothy Michael Rolls | ||
| No 15 (2017) | The Concept of a Nation and Its Problematic Appeal to Universality: A Critique from an African (Oromo) Vantage Point | Abstract |
| Sisay Megersa Dirirsa | ||
| No 11 (2015): Negritude Reloaded | The Dialogue of Creative Expression: Of Rhythm and Flesh | Abstract |
| Shanna Mumm | ||
| No 2 (2003) | The "Import Thesis" About African Political Thought | Abstract |
| Pieter Boele Van Hensbroek | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | The Lake | Abstract |
| Timothy Michael Rolls | ||
| No 11 (2015): Negritude Reloaded | The New Vitalism: Towards A Cultural and Philosophical Study of Biotechnology in Africa | Abstract |
| Donna V. Jones | ||
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