| Issue | Title | |
| No 6 (2012) | "A Day in the Life..." A Review of Where Are You Taking Me?, 2011, 72 minutes, Lane Street Pictures, Kimi Takesui, Dir | Abstract |
| Charles Peterson | ||
| No 6 (2012) | Africa Awake | Abstract |
| Jide Uwechia | ||
| No 5 (2012) | Amo's Philosophy of Mind and Cartesian Epistemology | Abstract |
| Charles Benjamin Kwabena Archampong | ||
| No 10 (2014): Zikism - The Liberation Philosophy of Nnamdi Azikiwe | An Examination of Zik’s Philosophy of Nationalism and His Criti que of African Superstition | Abstract |
| Polycarp Ikuenobe | ||
| Vol 1, No 1 (2002): Premiere Issue | Art and 'Art' in Africa: Conceptual Clarification, Confusion or Colonization? | Abstract |
| Jennifer Wilkinson | ||
| No 8 (2013) | “Mississippi Goddamn!: A Film Review of ‘Freedom on My Mind’†(1994); Connie Fields, Dir. | Abstract |
| Charles Peterson | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Ballade | Abstract |
| Timothy Michael Rolls | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Ballade II | Abstract |
| Timothy Michael Rolls | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Batá Drummer Michael Skinkus describes Elegua | Abstract |
| Michael Skinkus | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Batá Drummer Michael Skinkus describes the Orisha Warriors | Abstract |
| Michael Skinkus | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Batá Drummer Michael Skinkus on his European Identity | Abstract |
| Michael Skinkus | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Between Coral Reefs | Abstract |
| Jeffner Allen | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Between Individualism and Communitarianism in the Quest for a Good Human Community | Abstract |
| Uwaezuoke Precious Obioha | ||
| No 13 (2016): Water, Wind and Sound: Philosophy in a Different Key | Book Review: Yoruba Art and Language: Seeking the African in African Art, by Rowland Abiodun. (London, U.K.: Cambridge University Press, 2014, 409, ISBN: 9781107047440). | Abstract |
| Albert Mosley | ||
| No 6 (2012) | Bookers Place: A Review of Bookers Place: A Mississippi Story, 2012, 91 minutes, EyePatch Productions and Hangover Lounge Inc., Raymond DeFellita, Dir. | Abstract |
| Charles Peterson | ||
| No 4 (2012): Kwame Nkrumah and Democracy | But the Chichidodo Feeds on Cocoa | Abstract |
| Mogobe Ramose | ||
| No 9 (2014) | Caribbean Mysticism: Spiritual Knowledge and the Mystics | Abstract |
| Felicia Dujon | ||
| No 7 (2013): Reconciliation in Postcolonial Africa | Celibacy in African Traditional Religion: The Case of Zimbabwe | Abstract |
| Collis Garikai Machoko | ||
| No 7 (2013): Reconciliation in Postcolonial Africa | Conflict and Consensus in Zimbabwe's Government of National Unity: An Alternative to a Decade of Political and Economic Crisis | Abstract |
| Dennis Masaka | ||
| No 7 (2013): Reconciliation in Postcolonial Africa | Conscripts and not Volunteers: Indigenous Peoples, Tradition and The Postcolonial Question of Reconciliation in Zimbabwe | Abstract |
| Pascah Mungwini | ||
| No 7 (2013): Reconciliation in Postcolonial Africa | Consensus and Conflict Resolution in Postcolonial Zimbabwe: Philosophical Reflections on an Indigenous Method of Conflict Resolution | Abstract |
| Munamato Chemhuru | ||
| No 12 (2015): The Lwa and The Orisha: Spiritual Transmission and the Gifting of African-based Religions to the World | Cover of the Issue | Abstract |
| Azuka Nzegwu | ||
| Vol 1, No 1 (2002): Premiere Issue | Cuba, Democracy and the Armed Owl | Abstract |
| Susan Babbitt | ||
| No 5 (2012) | Cuba's Internationalism and Marti's "Trenches of Ideas" | Abstract |
| Susan E. Babbitt | ||
| No 8 (2013) | Deploying African Philosophy of Political Communication for Functional Leadership in Africa | Abstract |
| Sharon Adetutu Omotoso | ||
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